Playwright Radha Blank’s spirited directorial debut The 40-Year-Old Version in an often hilarious and heartfelt autobiographical tale of reinvention. Surrounde...
What started last October as a students’ protest regarding the rise in public transportation rates in Santiago de Chile has now blown up into a nationwide soci...
With over 60 films viewed at the 2020 Sundance Film Festival, it's time to wrap up the first major cinema event of the year. We already got the official jury a...
It’s the morning after the premiere of Tesla, the new film from Michael Almereyda starring his frequent collaborator Ethan Hawke as the titular inventor. I’m s...
There is a scene in the middle of The Last Shift in which our two main characters–Stanley (Richard Jenkins) and Jevon (Shane Paul McGhie)–get into an argument ...
In an immensely promising Berlinale lineup, one of our most-anticipated films is from French master Philippe Garrel. Following 2017's Lover for a Day, he's now...
The existential quandaries of death and what may happen after our final breath is the subject of countless films, including a stand-out here at Sundance. But w...
The Hangzhou of Zheng Lu Xinyaun’s The Cloud in Her Room is a funereal city, a protean place rife with cranes and construction sites, where new buildings mushr...
Penelope and Dimitris are professional pet cremators. They roam the sprawling periphery of an industrial Greek town, retrieve defunct animals from their owners...
When it comes to Natalie Wood: What Remains Behind, what you see is what you get. Zipping by at a manageable 100 minutes, established producer and documentaria...
