Dailies is a round-up of essential film writing and other highlights from our colleagues across the Internet -- and, occasionally, our own writers. If you'd...
"Ryan works in a very free way, he's constantly in an artistic frame of mind," star Iain De Caestecker recently said when it comes to Lost River, Gosling's...
The team behind Joe on he way this film and Green's last film, Prince Avalanche, feel like they share some DNA beyond just the director, the way that Green incorporates pieces of the actors into their characters, the importance of the facial hair that Cage sports and whether it was real or not, what kind of personal experiences Cage and Green brought to the film, and much more....
Dailies is a round-up of essential film writing and other highlights from our colleagues across the Internet -- and, occasionally, our own writers. If you'd...
It's easy to divide David Lynch’s career into sections of surprising commercial accessibility and complete mainstream alienation -- the cultural breakthroug...
Paul Greengrass is the latest director in a series of notable filmmakers such as Robert Altman, Woody Allen, and David Lynch to deliver an 90-minute talk an...
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits r...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focu...
During White Bird in a Blizzard, our lead Kat Connors (Shailene Woodley), is browsing records with a friend (Gabourey Sidibe) and a poster for David Lynch's deb...
