In his Village Voice review of Jim Jarmusch’s criminally under-appreciated The Limits of Control, J. Hoberman described the director as “a full-blown talent er...
Pablo Larraín is not finished wrestling with his nation’s psyche. His first three films, Tony Manero, Post Mortem, and No, formed a loose triptych that confront...
Ruth Negga and Joel Edgerton deliver remarkably nuanced performances in Loving, a late-'50s- / early-‘60s-set true life story of a mixed-race couple whose illeg...
With it being around five years since her last feature, a striking update on Wuthering Heights, we've been looking forward to Andrea Arnold's follow-up for ...
Following the Cannes premiere of Steven Spielberg's follow-up to Bridge of Spies, his adaptation of Roald Dahl's The BFG, Disney has released a new full-len...
In the past, the Belgian director Joachim Lafosse made a film about a mother seeking escape from domestic hell by killing her four young children (Our Children)...
Maren Ade has kept us waiting. It’s been seven years since her superb second feature Everyone Else premiered at the Berlinale, taking home the Jury Prize, and s...
We haven’t even reached the midway point of this year’s Cannes Film Festival, but it’s probably safe to assume that Nicole Garcia’s From the Land of the Moon wi...
European directors have often faltered when crossing the Atlantic. Billy Wilder and Wim Wenders found things to say where Paolo Sorrentino could not. American H...
CGI loses the day in Steven Spielberg’s The BFG, a partly motion-captured, eco-minded adaptation of Roald Dahl’s adored children’s book that leans so heavily on...
