Cannes

[Cannes Review] No

Pablo Larraín (Post Mortem) has achieved something spectacularly unique with No, his beta-max rendition of the 1988 referendum vote in Chile concerning dictator...

[Cannes Review] The Hunt

After making big waves with his Dogme classic The Celebration in 1998, Danish filmmaker Thomas Vinterberg has made a handful of flawed and underseen films, whet...

[Cannes Review] Killing Them Softly

Opening and ending with speeches about these United States and the sameness of our promised land, writer/director Andrew Dominik paints his America with blood a...

[Cannes Review] Antiviral

After watching Antiviral, the debut feature film from Brandon Cronenberg, there is a sense that the young filmmaker has been influenced by a myriad of different...