Cannes

[Cannes Review] The Congress

Trippy, bizarre, surreal and hallucinatory are all excellent adjectives with which to describe Ari Folman's The Congress. Adapted from a novel by legendary sci-...

[Cannes Review] The Past

Should we forget the past in order to better our future? This existential question is at the core of The Past, Asghar Farhadi's follow-up film to the Oscar-winn...