BFI London Review: Quentin Dupieux’s Daaaaaali! is a Delightfully Stupid Biopic
At the time of year where every other film is a biopic chasing prestige respectability, we are lucky to have Quentin Dupieux, the prolific, serious-minded, sil...
BFI London 2023
BFI London: The Book of Clarence Struggles to Satirize the Biblical Epic
At a time when breakthrough directors can only get incorporated into the studio system via micro-managed franchise blockbusters, it certainly pays to be friend...
BFI London Review: Robin Campillo’s Red Island is an Undeveloped Portrait of a Transitional Period for Madagascar
Robin Campillo’s strengths as both a writer and a director revolve around his ability to personalize the most sprawling of ensemble pieces, never allowing view...
BFI London Review: The Hypnosis is a Toni Erdmann-Esque Cringe Comedy Skewering Corporate Culture
Toni Erdmann wasn’t the first film to skewer corporate culture, but the epic-length comedy struck a chord with many for how it used a fish-out-of-water conceit...