For his debut feature, writer-director-cinematographer Mark Jenkin takes a parable about a contemporary fishing community under threat from wealthy outsiders an...
For many, the Satanic Temple only enters their radar when they make headlines, whether it is suing the producers of Sabrina for using the likeness of their ...
Celebrating its 40th anniversary this year, Bertrand Blier's Get Out Your Handkerchiefs has been restored by the Cohen Film Collection and returning to thea...
Luis Buñuel has received the biopic treatment in a way that befits the visionary Spanish artist. Based on a graphic novel, Buñuel in the Labyrinth of the Turt...
Eight years on from announcing his retirement from filmmaking following the release of The Turin Horse, Hungarian maestro Béla Tarr is keeping busy....
The phrase "important film" covers all manner of cinematic sins. If a narrative speaks to a specific issue or disenfranchisement, it can make critique a little ...
Like the protagonist of his latest film, The Wedding Guest, Michael Winterbottom is a wanderer–cinematically, that is. There are few filmmakers in modern cinema...
Since 1989, Terry Gilliam has been attempting (and re-attempting) to make The Man Who Killed Don Quixote, the trials and tribulations of which got its own d...
Following 2014's The Kindergarten Teacher, Israeli writer-director Nadav Lapid returns this year with Synonyms. Telling the story of an Israeli man who move...