The Film Stage - Page 916

NYC Weekend Watch: Ryūsuke Hamaguchi, ‘Ms. 45,’ Brakhage & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Montclair Review: ‘What She Said: The Art of Pauline Kael’ Offers a Well-Crafted, Sweeping History of Film Criticism

The well-crafted What She Said: The Art of Pauline Kael is a fascinating tribute to a maverick film critic who celebrated high and low art indiscriminately...

Tribeca Review: ‘Something Else’ is an Often Riveting, Yet Noncommittal Mix of Horror, Comedy, Drama, and Thriller

A riveting and creepy slow burn, Something Else imagines a second kind of “darkness on the edge of town," that feeling one might experience right between teenho...

Andrew Ahn on ‘Driveways,’ Queer Sensibilities, Uncynical Filmmaking, and the Art of Acting

Following his acclaimed debut drama Spa Night, director Andrew Ahn has expanded his circle of collaboration on his newest film Driveways....

‘Charlie Says’ Review: The Devil is in the Details in Mary Harron’s Unique Manson Family Drama

Certain events enter our collective consciousness and change its landscape forever. We watch news footage and listen to interviews. We read firsthand accounts. ...

U.S. Trailer for ‘Diamantino’ Previews a Dazzlingly Imaginative Adventure

There will be no film precisely like Diamantino this year, a dazzlingly imaginative experience involving shaggy puppy-filled soccer game dreams, nefarious t...

‘The Lodge’ Trailer: Riley Keough Goes on a Terrifying Retreat for ‘Goodnight Mommy’ Directors

After their chilling horror break-out Goodnight Mommy, directors Veronika Franz and Severin Fiala jumped quickly into their English-language debut and broug...

First Trailer for Lulu Wang’s Sundance Sensation ‘The Farewell’

Opening with the title card "Based on an actual lie," which has been adopted as the film's tagline, Lulu Wang's Sundance sensation The Farewell navigates th...

First Trailer for Bruno Dumont’s Sequel ‘Joan of Arc,’ Premiering at Cannes

After premiering his sequel CoinCoin and the Extra-Humans, the follow-up to P’tit Quinquin, Bruno Dumont embarked on another expansion of his singular cinem...

First Trailer for Cannes Premiere ‘Sibyl’ Starring Virginie Efira, Adèle Exarchopoulos & Gaspard Ulliel

With Cannes Film Festival kicking off next week it means the first look at a number of premieres will be arriving in anticipation of their debut. One of the...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

The Samurai and the Prisoner Trailer: Kiyoshi Kurosawa’s Mystery Epic Arrives This July

Willem Dafoe and Greta Lee Tussle Over Legacy In Trailer for Kent Jones’ Late Fame

Ethan Hawke Embarks on a Treacherous Journey in First Trailer for The Weight

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More

The Best Films of 2026 (So Far)

The Best Movies Now Playing in Theaters

Interviews

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

“It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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