The Film Stage - Page 915

New to Streaming: ‘If Beale Street Could Talk,’ ‘They Shall Not Grow Old,’ ‘Triple Frontier’ & More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

Review: ‘Captive State’ Builds a Grounded Sci-Fi World with a Lifeless Narrative

Captive State could very well be set in an alternate timeline of Arrival, one where the communication tactics of Louise Banks (Amy Adams) failed and the aliens ...

NYC Weekend Watch: Bruno Ganz, ‘The Juniper Tree,’ ‘King Kong’ & More

The best films playing in NYC this weekend....

Take a Mesmerizing Trip in U.S. Trailer for Bi Gan’s ‘Long Day’s Journey Into Night’

One of the most staggering cinematic experiences of recent years was seeing Bi Gan’s transportive, dreamlike odyssey Long Day’s into Night at the New York F...

SXSW Review: ‘Nothing Stays The Same’ Plays a Transcendent Tune with a Formulaic Approach

Nothing Stays The Same: The Story of The Saxon Pub functions as both a local interest story and something deserving of greater attention. The battle to keep Aus...

SXSW Review: ‘Leave The Bus Through The Broken Window’ Proves It’s a Lonely Planet After All

An evocative personal journey and study of globalization and loneliness, Andrew Hevia’s Leave the Bus Through the Broken Window often veers into silliness as th...

SXSW Review: ‘Run This Town’ is a Riveting, Partly Fictional Look at Cracking the Rob Ford Scandal

A superbly entertaining new thriller from Ricky Tollman, Run This Town offers a fictionalized account of late Toronto mayor Rob Ford’s well-documented issues ba...

SXSW Review: ‘Running with Beto’ is a Minor Film About a Major Political Star

Showing rather than explaining the greatness of Beto O’Rourke as a retail politician who is both engaging and engaged, Running with Beto might not shine too muc...

Matt Smith is Charles Manson in First Trailer for Mary Harron’s ‘Charlie Says’

This summer will bring what we imagine is a fitting double feature with Quentin Tarantino's Once Upon a Time in Hollywood and Mary Harron's Charlie Says, bo...

SXSW Review: ‘Good Boys’ is a Cringe-Inducing Middle School Comedy

Despite some endearing passages, Gene Stupnitsky’s uninspired crude tween comedy Good Boys is a cringe-inducing affair. The Seth Rogen-produced summer release f...

News

John Sayles Sets Directing Return With I Passed This Way Starring Amy Madigan and Chris Cooper

KimStim Acquires Kiyoshi Kurosawa’s Serpent’s Path Remake for Summer Release

Nathan Silver Sets A Poet Remake as Next Feature

Trailers

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere

Reviews

Cannes Review: Kantemir Balagov’s Butterfly Jam Can’t Find a Rhythm

Obsession Review: A Nasty, Humorous Horror Breakout

Magic Hour Review: Katie Aselton and Daveed Diggs Work Through Complex Emotions

Features

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

New to Streaming: The Drama, Send Help, Exit 8, and André Is an Idiot

Our 20-Most Anticipated 2026 Cannes Film Festival Premieres

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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