The Film Stage - Page 80

Dan Sallitt to Direct The Unspeakable Act Sequel What Can’t Be Mentioned

To know Dan Sallitt's cinema is to only wish for more. After 2019's Fourteen, his rough rate of one feature every seven years will hold in rather surprising, w...

Locarno Review: Mare’s Nest Radiates an Inordinate, Contagious Curiosity for the Unknown

Long before they came to designate a state of hopeless confusion, the words “mare’s nest” once meant something more electrifying: the excitement for that which...

63rd New York Film Festival Sets Springsteen: Deliver Me from Nowhere as Spotlight Gala

After their Main Slate and Currents lineups have been unveiled, the 63rd New York Film Festival has now revealed its Spotlight Gala selection: Scott Cooper’s S...

NYC Weekend Watch: Luc Moullet, Who Killed Teddy Bear?, The Lovers on the Bridge & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln CenterA career-spanning Luc Moullet retrospective begins; In the Mood ...

Exclusive Trailer for Manoel de Oliveira’s Aniki-Bóbó Restores a Career’s Origins

Made when he was 33, not to be followed by another feature for some 20 years, and effectively starting the career of cinema's oldest-ever filmmaker, Aniki-Bóbó...

New to Streaming: Caught by the Tides, Sorry, Baby, Harvest & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Exclusive Trailer for Bille August’s Zappa and Twist and Shout, Restored and Coming to Blu-ray

One of the few filmmakers to earn a Palme d'Or twice over, Bille August started his career with a pair of period dramas that have been largely forgotten by con...

63rd New York Film Festival Adds Films by Tsai Ming-liang, Radu Jude, Alexandre Koberidze & More

Following their Main Slate announcement, the 63rd New York Film Festival has unveiled its Currents lineup, featuring 40 boundary-pushing films from around the ...

By the Stream Review: Hong Sangsoo Excels in a More Narrative-Driven Mode

Note: This review was originally published as part of our 2024 Locarno coverage. By the Stream opens in theaters on August 8, 2025. The death of the aut...

An Officer and a Spy Review: Roman Polanski Tells a Tale of Injustice

Note: This review was originally published as part of our 2019 Venice coverage. An Officer and a Spy opens in theaters on August 8, 2025. What road should o...

News

Park Chan-wook to Direct Tang Wei, Matthew McConaughey, Austin Butler, and Pedro Pascal in The Brigands of Rattlecreek

Scout Tafoya and Tucker Johnson’s Stubborn Beast Begins Production

The Criterion Collection’s July Lineup Features The Elephant Man, Alice Doesn’t Live Here Anymore, and Mike Mills on 4K

Trailers

Jackass: Best and Last Trailer: Get Ready for One Final Ride

First Trailer for Kogonada’s Zi Conjures a Poetic City Symphony

Romería Trailer: Carla Simón’s Cannes and NYFF Highlight Arrives This June

Reviews

Two Seasons, Two Strangers Review: Golden Leopard Winner is Breathtakingly Gorgeous

Two Women Review: Sex Comedy Flips the Script with Hilarious, Refreshing Frankness

Omaha Review: A Desperate Dad Takes His Kids On an Unexpected Road Trip

Features

NYC Weekend Watch: Maurice Pialat, Jane Fonda, Tarsem, Casablanca & More

New to Streaming: Marty Supreme, Sound of Falling, No Other Choice, Late Shift & More

40 Films to See This Summer

Interviews

“My Best Ideas Come To Me On Walks”: Sho Miyake on Two Seasons, Two Strangers

Faith in the Process: Pete Ohs on Erupcja, Charli XCX, and New Methods

“You Can’t Recreate a Reality”: Sophy Romvari on Blue Heron

Podcasts

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

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