The Film Stage - Page 774

The Film Stage Show Ep. 388 – The Invisible Man

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Roxana Hadadi for a discus...

Raffey Cassidy is Trapped in a Cult in Trailer for Małgorzata Szumowska’s The Other Lamb

If one is looking for some more female-led cult horror after last year's Midsommar, Polish director Małgorzata Szumowska has made her English-language debut wi...

Berlin Review: Gunda is a Spell-Binding Take on Animal Sentience

In 2018, Victor Kossakovsky set out to shoot Aquarela, a survey-symphony that took the Russian documentarian around the world to capture glaciers, waterfalls, ...

Berlin Review: Days of Cannibalism is a Harrowing, Profound Look at the Culture Wars in Lesotho

Two cultures clash as a wave of anti-immigrant rhetoric spreads over a country in Teboho Edkins’ profound documentary Days of Cannibalism, which focalizes the ...

15 Films to See in March

While November and December are often considered the months in which films of the highest-quality films arrive (as award season demands), one could easily make...

Tsai Ming-liang on His New Approach to Filmmaking and Why Days Doesn’t Need Subtitles

We have had the privilege of speaking with Taiwan-based filmmaker/master of slow cinema Tsai Ming-liang three times over the last four years (see here, here, a...

Exclusive Trailer for The Wolf House Introduces an Audacious Stop-Motion Feature Hailing from Chile

When it comes to the field of animation, many productions can often succumb to a certain sameness in their respective visual approaches. This is certainly not ...

Just Don’t Think I’ll Scream Trailer: Over 400 Movies Form a Deeply Personal Essay Film

After watching over 400 films in the span of just around four months, director Frank Beauvais reflects on his life and what led to this cinematic hibernation i...

Berlin Review: There Is No Evil is a Major Work of Iranian Cinema and a Testament to the Oppressed

Iranian director Mohammad Rasoulof won Cannes’s Un Certain Regard award in 2017 with his bruising, brilliant drama A Man of Integrity, which explored how an op...

Berlin Review: Margaret Qualley & Sigourney Weaver Can’t Rescue the Saccharine My Salinger Year

An aspiring twenty-something writer with a couple of poems in The Paris Review, Joanna’s just landed a gig at a New York-based literary agency. Working on othe...

News

Todd Haynes to Shoot De Noche with Pedro Pascal and Danny Ramirez Starting Next Month

David Lynch’s Scripts for Unrecorded Night, Which Was to Star Toby Jones, to Be Published

First Look at Ryusuke Hamaguchi’s All of a Sudden Starring Virginie Efira

Trailers

Exit 8 Trailer: Genki Kawamura’s Acclaimed Videogame Adaptation Arrives in April

A Scenario Multiplies In First Trailer for Hong Sangsoo’s The Day She Returns

Exclusive Trailer for Saša Vajda’s Berlinale Premiere The Lights, They Fall

Reviews

Pillion Review: A Provocative, Funny, and Touching Anti-Romance

Sirat Review: Oliver Laxe’s Desert Trance Is a Grand, Adventurous Achievement

The President’s Cake Review: All the Ingredients of a Breakthrough Directorial Debut

Features

The Best Movies Now Playing in Theaters

10 Films to See in February

NYC Weekend Watch: Short Cuts, Strange Days, Silent Hill & More

Interviews

“Images Are Dead”: Oliver Laxe on Sirāt and Spirituality

The Love That Remains Director Hlynur Pálmason on the Preciousness of Time and Spontaneous Filmmaking

One Battle After Another Production Designer Florencia Martin on Building Paul Thomas Anderson’s Detailed World

Podcasts

The B-Side Ep. 175 – Rachel McAdams

The Best Films of 2025 and Most-Anticipated Films of 2026

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

Read More