Argentine master Lisandro Alonso teased his next feature at Space Not Time, a Los Angeles retrospective of his work. Speaking after a 35mm screening of the 200...
Cannes begins, against all reason, two weeks from today, and with it comes the trailer for this year's opening-night selection. (Arriving in French theaters th...
On a bright summer day in a tent on top of the sultry clay courts that give the Tennis Club Venezia its name, writer-director Ryûsuke Hamaguchi––known for his ...
Update: Metrograph Pictures has acquired the film for North American distribution, with a cast also including Barbara Auer, Matthias Brandt, and Enno Trebs. Pr...
A month so staggering in quality new releases that a new Mad Max film from George Miller barely cracked the top five, May kicks off the summer movie season wit...
Now that Francis Ford Coppola has unveiled his long-in-the-works epic Megalopolis to buyers and the industry, we're just a few weeks away from its official pre...
It's been four years since Disney and Peter Jackson announced intent to restore Michael Lindsay-Hogg's Let It Be––long enough (and with enough baggage) to thin...
I was very gratified by the response to last year's interview with Rob Tregenza, a Zelig-like figure of modern cinema. Our very long, multi-Zoom conversation c...
It can be a fine line between goodbye and good riddance. Carlo Chatrian might have breathed a sigh of relief when his tenure as Berlinale's creative director c...
However hard it is to expand the canon, legwork must always be done. In my own time I've seen the understanding of mid-century Japanese cinema expand, however ...