It's been both a year since a new Clint Eastwood movie arrived and a year since we've heard what the 90-year-old Hollywood legend may tackle next, which is a r...
The dedication at the end of The Plastic House is short and sweet: “For Mum & Dad.” Like the rest of writer-director Allison Chhorn’s documentary, that ded...
Canadian novelist and playwright Robertson Davies once compared the continuity of a reader’s relationship to literature to that of architecture transforming in...
The amount of high-ish
profile movies coming out this month almost makes it seem like the industry is
back in business. It's not. They're mostly all li...
A well-modulated vision of the fight against encroaching malaise or mere trifle dressing itself up? Depends on the scene. But trifles have their place and aute...
How’s this for a Halloween treat? After being pulled off of WB’s October theatrical release calendar some time ago, Robert Zemeckis’ new adaptation of Roald Da...
Since its world premiere at this year’s Sundance Film Festival, the people behind Possessor have been desperate for audiences to know how violent the film is. ...
It feels like a lifetime ago that I watched I Carry You With Me. It was a Sundance press screening in the middle of my busiest day at the festival, and frankly...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
It's one of the strangest ideas anybody's ever had for a film and Kirsten Johnson followed through: knowing her father was suffering from Alzheimer's, she deci...