An aura of pure eccentricity billows off the new film by Québécois provocateur Denis Côté, like a fug of stale-smelling nitrous oxide. Akin to his prior work o...
The line between fairy tale and horror proves a thin one in Igor Drljaca's The White Fortress thanks to the differing perspectives of young love in Sarajevo. W...
Having first covered The Fever back in when it premiered at Locarno in 2019––where director Maya Da-Rin picked up the FIPRESCI Prize and Regis Myrupu won Best ...
For his first narrative feature Natural Light, Hungarian filmmaker Dénes Nagy (who has worked in documentary since as far back as 2008) follows in the footstep...
The big draw to Fred Baillif's fictional look inside a residential care facility housing teenage girls is the fact that he refuses to pretend his setting is an...
As one half of the incendiary and oddly prescient Red Scare podcast, the Belarusian-born, New York-based actress, writer, and (now) filmmaker Dasha Nekrasova o...
A few years ago, after Ready Player One completed shooting, it was looking like Steven Spielberg was set to begin production on The Kidnapping of Edgardo Morta...
As Raya (Kelly Marie Tran) states during her expository prologue to Don Hall and Carlos López Estrada's Raya and the Last Dragon (written by Qui Nguyen and Ade...
As we eagerly await Sean Baker's The Florida Project follow-up Red Rocket, which was recently picked up for distribution in North America by A24, the filmmaker...
Fresh off the recent release of his poster for Shudder's debut of George Romero's "lost" film The Amusement Park, graphic designer Aleksander Walijewski has an...