Woe betide Sofia Coppola skeptics, but a 58-second liquor ad suggests nice paycheck before manicured artistic intent. Still it's nice seeing the director reuni...
Jeremy O. Harris' Slave Play. Not A Movie. A Play. is in fact a documentary self-portrait, at times providing a behind-the-scenes look at the workshopping of H...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterA Catherine Breillat retrospective begins, featuring many restoration...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Here's a nice summer surprise: a new action thriller directed by John Woo is arriving this August. Following up last year's Silent Night, Woo has directed a re...
Jac Cron’s Chestnut is undoubtedly more instructive than it is enjoyable. Instructive because it brings to the fore many of the dominant features of Gen Z gloo...
While you'll have to go see Jeff Nichols' The Bikeriders this weekend to get a look at the first trailer for Robert Eggers' Nosferatu, another horror feature f...
When, just last month, I talked to Richard Linklater about this prolific moment in his career, I had zero notion he'd been well into preparing a new-new film––...
As much a standard-bearer for behind-the-scenes docs as Hearts of Darkness––maybe there's something about watching famed auteurs lose their grip in the jungle–...
Expanding the cinematic universe of her first feature The Unknown Country, Morrisa Maltz’s Jazzy is a beautifully crafted portrait of childhood in South Dakota...