The Film Stage - Page 46

Mia Hansen-Løve Reveals New Feature If Love Should Die, Shooting Next Year

Few directors capture modern life so vividly as Mia Hansen-Løve, and only in some cases does she show it in English-language contexts. Suggesting something of ...

Harley Chamandy on Allen Sunshine, Shooting on 16mm, and Finding Inspiration Outside of Cinema

At a lakeside cottage, Allen Sunshine (Vincent Leclerc) keeps to himself. He goes out on his boat, walks his dog, and wanders the surrounding forest with a tap...

First Look at Steve McQueen’s Blitz, Arriving This November

Following up last year's epic documentary Occupied City, Steve McQueen has returned to the WWII era with a narrative feature. Blitz, starring Saoirse Ronan and...

Mother, Couch Review: Ewan McGregor Leads a Strange, Pervasive Familial Phantasmagoria

"I've been bleeding my whole life." Mother, Couch is a boiling point of a picture. Written and directed by Niclas Larsson (and based on Jerker Virdborg's n...

Second Trailer for M. Night Shyamalan’s Trap Finds Josh Hartnett in the Crosshairs

On quite a Hitchcockian-meets Twilight Zone streak with the one-two punch of Old and Knock and the Cabin, expectations are high for M....

Listen to Eiko Ishibashi’s Score for Ryusuke Hamaguchi’s Evil Does Not Exist

Likely many reading this have already seen Ryusuke Hamaguchi's Evil Does Not Exist, which is more than a month into a theatrical run. It's only now that Eiko I...

“Who Let Me Film That?”: Catherine Breillat on Last Summer, Philosophy of Love, and Legacy

New York audiences might be the luckiest cinephiles this summer: French legend Catherine Breillat’s newest gem of a film Last Summer not only opens theatricall...

NYC Weekend Watch: Velvet Goldmine, Bound, Citizen Kane & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaFellow Roxy programmer Charli XCX presents Project X, To Die For, and Velvet Gol...

A Sacrifice Review: Eric Bana and Sadie Sink Lead an Effective Psychological Thriller

"We're all so fucked, right." So says Mazzy (Sadie Sink), a young woman visiting her father Ben (Eric Bana). This observation matches the dreadful tone of the ...

Exclusive Trailer for the 2024 New York Asian Film Festival Delivers Electrifying Thrills

Now in its 23rd edition, the New York Asian Film Festival has been delivering high-octane thrills, riveting drama, hilarious comedies, and beyond from across A...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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