The Film Stage - Page 439

Fantasia Review: Tin Can is a Captivatingly Dark Pandemic Mystery

Despite being neither a household name nor one I could immediately place, seeing writer-director Seth A. Smith attached to a film while sifting through the sch...

Preview the New 4K Restoration of Andrzej Żuławski’s Possession with First Teaser

One of the most acclaimed psychological horror films of all time, Andrzej Żuławski’s Possession has finally received a new 4K restoration that will roll out th...

Locarno Review: Phil Tippett’s 30-Years-in-the-Making Passion Project Mad God is an Insane Creation

In Mad God, a character called “The Last Man” (played by the great Repo Man director Alex Cox) runs a laboratory sending miniature explorers into the bowels of...

Stream Sparks’ Annette Soundtrack, Featuring Adam Driver & Marion Cotillard

Years in the making, years of waiting for a pandemic to permit its release, Leos Carax and Sparks' Annette is finally out. With this momentous day of course co...

New to Streaming: The Thin Red Line, Pig, La piscine, Roadrunner, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Materna Review: A Viscerally Immersive Yet Broad Look at Womanhood

Materna opens with hazy close-ups of four women on the New York subway, all distracted and on edge. As we’ll come to learn, that’s partly from events in each o...

The Old Man’s Back Again In Trailer for Clint Eastwood’s Cry Macho

You've probably had the same thought, so forgive anything potentially banal—but it is, frankly, fucking insane that a new film directed by and starring the 91-...

Mexico’s Dark History Is Explored In U.S. Trailer for Docu-Fiction 499

So much that premiered on last year's festival circuit needs a bit of breathing room to have its second theatrical life—when the world was burning, we couldn't...

NYC Weekend Watch: Anthology Returns, Paris Reopens, Women of Hitchcock & More

After a hiatus where New York's theaters closed during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our weekly round-up of repert...

Francis Ford Coppola Exhumes His Past in Trailer for Dementia 13: Director’s Cut

Though we hope against hope that Francis Ford Coppola can one day—one day soon—craft his dream project Megalopolis, there has been the rather touching project ...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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