The Film Stage - Page 399

The Killing of Kenneth Chamberlain Review: An Important, Complex Look at Police Overreach

I'm not sure there's a more textbook example of police overreach and excessive force than the one depicted in David Midell's The Killing of Kenneth Chamberlain...

Doclisboa Review: The Story of Looking is a Moving and Personal Essay Film from Mark Cousins

As the face (sometimes) and voice (always) of an amuse-bouche of TV shows, film criticism (in his column for Sight and Sound), and documentaries over the last ...

DOC NYC Review: The Cannons is a Crowd-Pleaser About Race, Mentorship, and Hockey in DC

Directed by former NHL videographer Steven Hoffner, The Cannons follows a year in the life of the Fort Dupont Cannons, one of the nation’s first Black hockey t...

Mike Mills on Taking Detours, Geometric Filmmaking, and the Tenderness of C’mon C’mon

Director Mike Mills never shies from talking about his feelings. His films teem with care, compassion, and affection. His characters exude love, or at least wi...

Ghostbusters: Afterlife Review: Jason Reitman’s Sequel is One of the Worst Results of Our Infantilized Culture

The once-prestigious Jason Reitman has remarked that after five consecutive box office bombs he felt the need to make his own Ghostbusters to finally confront ...

The Real Charlie Chaplin Review: An Ambitious Attempt To Quantify a Legend

As directed by Peter Middleton and James Spinney, The Real Charlie Chaplin attempts a delicate dance, quite ambitiously trying to understand both Chaplin the g...

So Late So Soon Review: After 50 Years of Marriage, a Couple Reflects on Their Energetic Past and Deteriorating Present

As Jackie and Don Seiden unintentionally describe themselves by way of an impromptu thought experiment: he's the warm-hearted crocodile and she the intelligent...

Out of the Blue Review: Dennis Hopper’s Restored Classic is an Unnerving Descent Into Moral Decay

The new 4K restoration of Dennis Hopper’s mad-wheeling 1980 feature Out of the Blue opens with text detailing the fascinating behind-the-scenes turmoil that le...

The Spine of Night Directors on Horror Fiction Inspirations and the Freedom of Independent Animation

Philip Gelatt and Morgan Galen King’s The Spine of Night is an impassioned tribute to adult animation, dark fantasy, and truly ambitious genre epics of the typ...

tick, tick … Boom! Review: Lin-Manuel Miranda’s Directorial Debut is a Fast-Moving Cautionary Tale About Failure

Despite any prescience on behalf of its subject matter, I’m sure even the playwright himself, Jonathan Larson, would have looked back on his big-budget, s...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

Oh, Canada Trailer: Richard Gere Reflects on His Life in Paul Schrader’s Poignant Drama

Billy Zane Transforms into Marlon Brando in First Trailer for Waltzing with Brando

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Reviews

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

Features

Five Highlights from the 2024 Tokyo International Film Festival

The Best Movies Now Playing in Theaters

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Interviews

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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