Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Neil Bahadur to discuss Steven...
Early in McCurry: The Pursuit of Color, renowned photographer Steve McCurry bemoans that the world is becoming an endless airport terminal, devoid of color and...
Once again refuting a notion in the worst corners of the Internet that Martin Scorsese strictly lives out his days as a Marvel-hating director who only makes g...
As 2021 reaches its merciful end we are only happy to look forward—towards March, mainly, and what Criterion’s planning as spring springs. The 4K stride contin...
In Brighton 4th, the Georgian diaspora of Brooklyn's Brighton Beach (an area known colloquially as “Little Odessa” for its largely East European and Russian co...
There's a difference between being the best and being the hardest worker. If you're the best, you don't always need to work. It's natural. Alex Dall (Isabelle ...
The state of surveillance, intimate music celebrations, Helen Keller's socialist ethos, refugee tales, examining the scars of abuse in the Catholic Church, and...
After a major year featuring one of the best roles of his career in Pig and also one of his wildest with Sion Sono's Prisoners of the Ghostland, Nicolas Cage i...
Ping-ponging between major blockbusters like the Mission: Impossible and Fast & Furious franchises and indie dramas such as Pieces of a Woman and The World...
In The Hand of God, Paolo Sorrentino tells an intimate story about growing up in Naples, Italy. The turbulent coming-of-age film, marking the director's most p...