The Film Stage - Page 374

Maggie Gyllenhaal on Crafting The Lost Daughter and How She’s Always Been a Director

Maggie Gyllenhaal needs no introduction. An Academy Award-nominated actress who has been tackling complex roles with gusto for decades in films and television ...

Sundance Review: Something in the Dirt Captures an Obsessive Search for the Otherworldly

The characters in Justin Benson and Aaron Moorhead’s films shouldn’t be in these situations. They’re out of their depth, caught up on a conspiracy, a cult, or ...

NYC Weekend Watch: The Age of Innocence, Todd Haynes, Kirsten Dunst & More

After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...

Rifkin’s Festival Review: Woody Allen Takes Aim at the Film Culture That’s Abandoned Him

Entering the “likely a money-laundering scheme for Spanish businessmen” part of his European travelogue era, Woody Allen turns uniquely narrow-minded and bitte...

Sundance Review: Master Bites Off More Than it Can Chew

Let's start here: Master, written and directed by Mariama Diallo, is a film with ambitious scope and intention. That it does not quite succeed in its endeavors...

Sundance Review: The Mission Shows Unwavering Faith with an Accepting Lens

In The Mission, unwavering faith is a requirement. For the four young missionaries followed by director Tania Anderson, Finland becomes their two-year home, a ...

Sundance Review: My Old School is a Charming Documentary About a 1990s Scandal

Plot summaries (and reviews) of My Old School face a difficult task: how to describe a film whose very existence is based around a big spoiler. Sundance's prog...

Sundance Review: Last Flight Home Approaches End of Life with Warmth, Grace, and Compassion

In her most personal and intimate film, master documentarian Ondi Timoner (We Live in Public, Cool It, Dig) turns an intended family tribute for a virtual memo...

Cinematographer José Luis Alcaine on Parallel Mothers and Capturing Pedro Almodóvar’s Emotional Vision

Two strangers' lives intertwine in Parallel Mothers, the latest film from Pedro Almodóvar. Janis (Penélope Cruz) and Ana (Milena Smit) are single mothers who g...

Sundance Review: Aubrey Plaza Elevates the Simplistic Thriller Emily the Criminal

Taking part in ten Sundance premieres over the last ten years, Aubrey Plaza’s niche in the world of independent cinema has been well carved. Reaching into dark...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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