Spotting COVID-era ephemera was novel in the films of 2021—even in some of the best. As early as last February we saw masks being worn, some pointedly below th...
With her forceful feature debut Playground, Laura Wandel takes an intimate, intense look at the intricacies of abuse at school from a child's point of view. Fo...
Ethan (Wyatt Oleff) doesn't have to say anything when he appears at his brother Derek's (Fin Argus) work unannounced. They've gone through this too many times ...
Raised by his grandmother after his parents' deaths, Ugyen (Sherab Dorji) is considered lucky by his friends. He became a teacher and is just one year away fro...
A couple of Criterion's May releases are all about encroaching fear, so we won't make you think about the fact that when these arrive 2022 will be in sight of ...
After making a splash with his nifty single-location romantic thriller The One I Love, Charlie McDowell’s follow-up The Discovery came and went quickly. But hi...
In 1984 John Lurie had three films at Cannes but couldn’t afford a plane ticket. For a few indelible moments in Wim Wender’s Paris, Texas, as a high-end pimp h...
While we're hopeful that 2022 may see the premiere of two new Claire Denis films, the first one has now seen the light of day. Fire (aka Both Sides of the Blad...
Directors Christos Passalis and Syllas Tzoumerkas describe their film The City and the City as the untold story of Thessaloniki, Greece. It isn't that because ...
One of the more divisive films coming out of Sundance Film Festival last month was Mimi Cave's FRESH, which provides a dark twist on the rom-com. Now set for a...