The Film Stage - Page 353

Tony Leung and Andy Lau Reunite in First Look at Goldfinger

About a year ago we got the news that Tony Leung and Andy Lau would finally be reuniting after their trio of Infernal Affairs films. Coming from Infernal Affai...

Jacques Audiard Tells Tales of Modern Love in U.S. Trailer for Paris, 13th District

Never one to be boxed into a corner, Jacques Audiard is following up his Palme d'Or-winning Dheepan and his English-language debut, the western The Sisters Bro...

SXSW Review: The Cow Milks a Simple Premise with Rich Atmosphere

Eli Horowitz’s The Cow offers a rather convoluted approach to an unfortunately straightforward story. For much of its runtime, however, the film successfully o...

SXSW Review: I Love My Dad Finds Patton Oswalt in a Cringe-Worthy Catfish Comedy

Inspired by actual events, I Love My Dad contains a cringe-worthy premise that should easily fall apart, as Franklin (James Morosini), a young-ish man, should ...

U.S. Trailer for Lou Ye’s Saturday Fiction Sets Gong Li in a Spy Thriller

At long last, the Lou Ye's Venice 2019 premiere Saturday Fiction is arriving stateside. After some delays presumably caused by the pandemic, Strand Releasing w...

The Film Stage Show Ep. 465 – Turning Red (with Jazz Tangcay)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Jazz Tangcay to discuss Domee ...

New to Streaming: The Worst Person in the World, Deep Water, Windfall & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Windfall Review: A Subversive, Slightly Undercooked Throwback Three-Hander

From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...

Radu Muntean on Întregalde, Humanitarian Hypocrisy, and the Mysteries of Nature

Romanian filmmaker Radu Muntean’s latest work, Întregalde, expertly plays with genre trappings to tell a grounded story of humanitarian impulses gone awry. Set...

The Criterion Collection’s June Lineup Includes Pink Flamingos, The Worst Person in the World, 4K Shaft & More

Hard to believe we're forecasting June, but rather than get into all that I'll say it's been nice seeing Criterion's 2022 lineup come into shape—a proper mix o...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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