The Film Stage - Page 319

Juliette Binoche & Vincent Lindon’s Romance is Tested in U.S. Trailer for Claire Denis’ Both Sides of the Blade

Claire Denis is back with two new features this year, the first of which comes to theaters in just a few weeks. Both Sides of the Blade—which premiered at Berl...

This Much I Know To Be True Trailer: Andrew Dominik Reunites with Nick Cave and Warren Ellis

If you missed your recent one-night-only chance to experience Andrew Dominik's reunion with Nick Cave and Warren Ellis theatrically, you are in luck. MUBI has ...

Kevin Costner is Expanding His Epic Western Horizon into Four Movies

It's been nearly two decades since Kevin Costner last stepped behind the camera and, as he prepares his epic western Horizon, he's making up for lost time. ...

Tribeca Review: B. J. Novak’s Directorial Debut Vengeance is a Smart Comic Thriller

Despite its generic title, B.J. Novak’s feature-directing debut Vengeance is a smart, subversive fish-out-of-water comedy about a stereotypical coastal elite t...

Revealer Review: An Apocalyptic Battle for the Soul Unfolds in a Peep Show Booth

What better setting for a Biblical apocalypse than an XXX novelty shop with peep show booths picketed by religious zealots who, more often than not, protest as...

Tribeca Review: The Drop Falls Flat

Considering comedy is entirely subjective and in the eye of the beholder, I suspect fans of the comedians in Sarah Adina Smith's The Drop––allowed free reign t...

The Criterion Channel Announce July Lineup: Boxing, Noir in Color, Mississippi Masala, and Blake Edwards

The Criterion Channel's July lineup is an across-the-board display of strengths, ranging as it does from very specific programming cues to actor retrospectives...

Tribeca Review: Aisha is a Minor But Impactful Work of Social Realism

Roger Ebert once said movies are like a machine that generates empathy. Such is the third feature by Frank Berry (Michael Inside, I Used to Live Here). Followi...

Tribeca Review: The Black Phone Exists in an Uncanny Valley Between Realism and the Supernatural

Despite the rich texture of its late-1970s setting—the beginning of the latch-key kid era—Scott Derrickson’s The Black Phone fails to transcend its central pre...

6 Films to See at BAMcinemaFest 2022

Kicking off this Thursday is one of the finest annual showcases in indie filmmaking, BAMcinemaFest, taking place at BAM Rose Cinemas. Among both well-curated h...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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