Following his Guy Maddin-influenced debut The Twentieth Century, Matthew Rankin has returned five years later with his follow-up. Universal Language, which pre...
Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renow...
The death of the author is the birth of the reader, as we know from post-structuralist thought; then again, there are Hong Sangsoo’s public remarks. A charming...
Over a close-up of a turtle, ominous sound design builds at such a deep frequency that the walls of a press-screening room in Beverly Hills began rattling. Onc...
A world premiere at DOC NYC and selection at Thessaloniki International Documentary Festival and many more festivals, Emily Packer's Holding Back the Tide take...
At long last, we are only about a month away from the release of Francis Ford Coppola’s Megalopolis, set to arrive in North America from Lionsgate Studios...
There’s something electrifying about watching a filmmaker break free from well-worn formulas and push themselves into new, uncharted territory. The Sparrow in ...
After sold-out showings of Godard and Rohmer (plus, well, Rohmer) my screening series Amnesiascope closes out this summer with a personal 2020s favorite that s...
After making his feature writing debut with Brigsby Bear, Kyle Mooney has now made his directorial debut with Y2K, a disaster comedy which brings together Rach...
We're now just a short time away from the world premiere of Pedro Almodóvar's first English-language feature at Venice Film Festival. The Room Next Door, starr...