The Film Stage - Page 301

Call Jane Trailer: Elizabeth Banks & Sigourney Weaver Fight for Abortion Access

Arriving with unfortunately renewed significance since its Sundance Film Festival premiere earlier this, Phyllis Nagy’s Call Jane dramatizes the story of The J...

New Films by Martin Scorsese, Sarah Polley, Luca Guadagnino & More Added to 60th New York Film Festival

Following their stellar Main Slate lineup, the 60th New York Film Festival has unveiled its Spotlight section, featuring a number of notable world premieres. M...

God’s Creatures Trailer: Emily Watson & Paul Mescal Harbor a Secret in New Drama From The Fits Team

After the remarkable breakthrough drama The Fits, the wait has been a long one for Saela Davis and Anna Rose Holmer to return, but they finally did so at Canne...

The Immaculate Room Review: Emile Hirsch and Kate Bosworth Get Pushed to Their Breaking Point

On its surface, The Immaculate Room is a contest. A game. If you and your romantic partner can spend fifty days in a stark white room with nothing but a bed, m...

Get Away If You Can Review: A Relationship is Tested in Rocky Aquatic Thriller

Some people deserve a second chance. Few deserve a third. Especially when we're talking about having a modicum of human decency for the person you say you love...

Trailer for Ricky D’Ambrose’s The Cathedral Conjures an American Family

Few premieres from this last year left an impression like Ricky D'Ambrose's The Cathedral, one of the best films at this year's Sundance and ND/NF. An alternat...

Jessica Hausner Begins Shooting Club Zero Starring Mia Wasikowska and Sidse Babett Knudsen

Usually taking a handful of years to develop her projects, Jessica Hausner has now finally embarked on her follow-up to 2019's Little Joe. The Austrian directo...

Orphan: First Kill Review: An Inconsequential, Wonky Prequel

Screenwriters Alex Mace and David Leslie Johnson-McGoldrick gave their character Leena Klammer, aka Esther Albright, a complete back story at the end of Jaume ...

Spin Me Round Review: A Comedy Perfectly Suited for Alison Brie’s Talents

There are a number of reasons to recommend Spin Me Round, a winning comedy about the manager of an Olive Garden-style restaurant who gets chosen to attend a tr...

Locarno Review: Arnold Is a Model Student Delicately Balances Irreverence and Good Nature

One of the more unlikely films to emerge from this year’s Locarno is the Thai debut Arnold Is a Model Student. In aesthetic, it resembles one of those well-hee...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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