It's a great time to be a Michael Mann fan. Following Tokyo Vice earlier this year, last week saw the release of his Heat sequel in novel form and a 4K release...
After carving a background in photography––you have certainly seen his photo of Amy Winehouse on the cover of Back to Black––artist Mischa Richter has made his...
One of the most fascinating documentaries to emerge from Sundance Film Festival this year is Sierra Pettengill's archival exploration of Riotsville, USA, a poi...
Arriving with unfortunately renewed significance since its Sundance Film Festival premiere earlier this, Phyllis Nagy’s Call Jane dramatizes the story of The J...
Following their stellar Main Slate lineup, the 60th New York Film Festival has unveiled its Spotlight section, featuring a number of notable world premieres. M...
After the remarkable breakthrough drama The Fits, the wait has been a long one for Saela Davis and Anna Rose Holmer to return, but they finally did so at Canne...
On its surface, The Immaculate Room is a contest. A game. If you and your romantic partner can spend fifty days in a stark white room with nothing but a bed, m...
Some people deserve a second chance. Few deserve a third. Especially when we're talking about having a modicum of human decency for the person you say you love...
Few premieres from this last year left an impression like Ricky D'Ambrose's The Cathedral, one of the best films at this year's Sundance and ND/NF. An alternat...
Usually taking a handful of years to develop her projects, Jessica Hausner has now finally embarked on her follow-up to 2019's Little Joe. The Austrian directo...