Forget misunderstood hacks and generational talents. There's nothing quite like a consistent studio hand (with a solid 3- or 4-star batting average) who flies ...
The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
A producer of the Zellner Brothers' Sasquatch Sunset, David Harari has completed his directorial debut, the indie comedy Tooth Shop Fiasco, which will make its...
Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There...
Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
In a stray moment during Charlotte Zhang’s Tycoon, a young man says he stopped complaining to his landlord about the cockroaches invading his L.A. flat les...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMMichael Almereyda's vampire film Nadja debuts in a long-overdue 4K restoration that play...
In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinc...
A familair presence on the indie film scene in Strawberry Mansion, Booger, The Heirloom, Measures for a Funeral, Honey Bunch, and more, Canadian actress and fi...
Mario, Mortal Kombat, Resident Evil, and Street Fighter aren't the only videogame adaptations hittting theaters this year. Genki Kawamura's Exit 8, based on th...