The Film Stage - Page 291

First Trailer for Lukas Dhont’s Cannes Winner Close Captures a Fractured Friendship

Although a theatrical release date has not yet been set for Lukas Dhont's second feature Close, A24 is capitalizing off the Telluride premiere of the Grand Pri...

Ondi Timoner Turns the Lens on Her Family in First Trailer for Last Flight Home

A selection at Sundance Film Festival, Telluride Film Festival, and London Film Festival, Ondi Timoner's latest documentary Last Flight Home takes a personal l...

Watch Martin Scorsese’s Venice 2022 Tribute to Paul Schrader: “His Career is a Beacon of Personal Expression”

Although they haven't worked together since 1999’s Bringing Out the Dead, the Taxi Driver and Raging Bull team of Martin Scorsese and Paul Schrader announced n...

Venice Review: The Banshees of Inisherin Finds Humor and Meaning in the Mundane

“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...

Abderrahmane Sissako Will Begin Shooting The Perfumed Hill This Month

At long last, after years of development, Abderrahmane Sissako is set to embark on his first feature since 2014's Timbuktu. The Mauritanian-born Malian directo...

Venice Review: All the Beauty and the Bloodshed is an Empowering Chronicle of Activism

More than her urgently and perceptively topical subject matter, American documentarian Laura Poitras has a habit, and penchant, not solely for making work abou...

First Look at Steven Spielberg’s The Fabelmans Arrives, Along with More Plot Details

Although relatively shrouded in secrecy since its production last year, with a premiere just a few days away, we're now getting a few more details on Steven Sp...

Venice Review: Walter Hill’s Dead for a Dollar is a Sincere, Modest Western

What room is left for an honest gunslinger in a world where their tropes are repackaged ad infinitum? Have meticulous imitators like Red Dead Redemption actual...

Venice Review: Kôji Fukada Excels with Knotty, Engrossing Love Life

Love Life is one of those films that really wears its screenplay. The plot follows a mother's attempts to come to terms with the death of a child, but it's mor...

10 Must-See Short Films at TIFF 2022

The Toronto International Film Festival, like most other festivals this year, returns with a post-pandemic mindset: a primarily in-person event with an overall...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

The Best Movies Now Playing in Theaters

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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