The Film Stage - Page 291

Venice Review: Dogborn is a Suspenseful Examination of the Complexity of Victimhood

The twins (Silvana Imam's Sister and Philip Oros' Brother) have nothing since their mother passed away. No house. No jobs. No money. Brother doesn't even have ...

NYC Weekend Watch: Remember My Name, Girl 6, Miloš Forman & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy Cinema The series “Woman as Witch” offers 35mm prints of von Sternberg's Disho...

Vicky Krieps on the Scientific Expedition of Acting, Imagined Worlds, and Hold Me Tight

There are few actors working today with the level of emotional intuitiveness of Vicky Krieps. Whenever she emerges onto a screen you innately feel exactly the ...

Pinocchio Review: A Perfunctory Remake with Only a Scant Touch of Zemeckis Magic

Even when experimenting with the latest new-fangled technology, Robert Zemeckis is, at heart, a storyteller of the classical variety. While some recent gambles...

First Trailer for Rian Johnson’s Glass Onion: A Knives Out Mystery Finds Benoit Blanc on the Case

Benoit Blanc is back. While many thought Rian Johnson may be embarking next on a Star Wars trilogy, he found a perhaps unexpected hit with Knives Out, which is...

Renate Reinsve and Anders Danielsen Lie Reteam for Handling the Undead

After a very brief acting debut in Oslo, August 31st, Renate Reinsve reteamed with Anders Danielsen Lie and Joachim Trier for The Worst Person in the World, pi...

First Trailer for Lukas Dhont’s Cannes Winner Close Captures a Fractured Friendship

Although a theatrical release date has not yet been set for Lukas Dhont's second feature Close, A24 is capitalizing off the Telluride premiere of the Grand Pri...

Ondi Timoner Turns the Lens on Her Family in First Trailer for Last Flight Home

A selection at Sundance Film Festival, Telluride Film Festival, and London Film Festival, Ondi Timoner's latest documentary Last Flight Home takes a personal l...

Watch Martin Scorsese’s Venice 2022 Tribute to Paul Schrader: “His Career is a Beacon of Personal Expression”

Although they haven't worked together since 1999’s Bringing Out the Dead, the Taxi Driver and Raging Bull team of Martin Scorsese and Paul Schrader announced n...

Venice Review: The Banshees of Inisherin Finds Humor and Meaning in the Mundane

“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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