The Film Stage - Page 284

TIFF Review: Maya and the Wave Examines the Fight for Equality in a Male-Dominated Sport

At twenty-six years of age, Brazilian Maya Gabeira was at the top of her sport. A world champion. Winner of countless awards. On covers of magazines. And reppe...

TIFF Review: Blueback Takes a Lightweight Look at Bigger Issues

Australia’s answer to the 2022 Oscar Best Picture winner CODA is here. I’m only half-joking. Blueback is a bit better than the movie that most recently won Bes...

TIFF Review: Will-o’-the-Wisp is a Buoyant, Bittersweet Musical Comedy with a Lot on Its Mind

A hopeful and bittersweet plea for a better future, Joao Pedro Rodrigues’ 67-minute oddity Will-o’-the-Wisp covers three periods in the life of Alfredo, a “Pri...

NYC Weekend Watch: Terra Femme, Infernal Affairs, The Caan Film Festival & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film Archives On Sunday, Courtney Stephens gives a live performance of her arc...

Speak No Evil Director Christian Tafdrup on Creating the Most Terrifying Film of the Year

Absent of jump scares, supernatural elements, and most clichés that come with horror, Christian Tafdrup's Speak No Evil is more interested in the ways as human...

TIFF Review: Free Money Doesn’t Do Justice to Its Subject

Everyone over the age of eighteen (those fifteen and older become eligible on their eighteenth birthday) will receive twenty-two dollars a month for twelve yea...

TIFF Review: Victim Is a Beautifully Performed Morality Tale

There's a reason director Michal Blasko and screenwriter Jakub Medvecký wrote Irina (Vita Smachelyuk) and her son Igor (Gleb Kuchuk) as Ukrainian nationals. Vi...

TIFF Review: Until Branches Bend Elegantly Delivers a Crucial Message

Something is amiss with Robin (Grace Glowicki) and the quiet Canadian peach grove town of Montague. An invader has taken hold. It's wormed its way beneath the ...

New to Streaming: Jean-Luc Godard, Three Thousand Years of Longing, Speak No Evil & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

TIFF Review: What Comes Around is a Provocative, Twisty, and Heartrending Exploration of Double Standards

What Comes Around is a tricky film to talk about without massive spoilers unless, of course, the eventual marketing campaign decides divulging its secrets will...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

17 Films to See in November

The Best Movies Now Playing in Theaters

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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