If it was a great year for Olivier Assayas fans, the paradox is that knowing the man can still produce one of his liveliest, boldest, funniest, all-around-grea...
“Can I quote you?” As it did throughout Jodi Kantor and Meghan Twohey’s intrepid investigative journalism for the New York Times, that question reverberates in...
Chinonye Chukwu’s Till finds the Clemency writer-director facing the story of Emmett Till, the 14-year-old boy lynched in 1955. More specifically the story of ...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Halloween Ends arrives like the undercooked dessert of a three-course meal nobody much enjoyed—but what garnish these John Carpenter scores were! Unlikely as i...
After years of working with someone like Werner Herzog, it seems you deserve some rest—especially after films as spectacular as Aguirre: The Wrath of God and F...
Some wounds don't heal. Not with time. Not with a mythical lake of water with the power to mend all ailments. And while we can try to forget, the mind will alw...
Before he's seen in Terrence Malick's The Way of the Wind––which will hopefully (maybe) arrive next year––Ali Suliman leads the acclaimed drama 200 Meters. Mar...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
NYFF Revivals concludes with restorations of Edward Yang's A...