The Film Stage - Page 258

Everything Everywhere All at Once Leads 2022 Gotham Awards Winners

The first major awards ceremony of the year took place tonight, with The Gotham Film & Media Institute hosting the 32nd Annual Gotham Awards at Cipriani Wa...

Ramin Bahrani on 2nd Chance, American Mythmaking, and Directing His First Documentary Feature

Richard Davis is a complicated figure. As an out-of-work pizzeria owner who then invented the modern-day bulletproof vest, his larger-than-life personality led...

Nr. 10 Review: Alex van Warmerdam Crafts a Funny, Suspenseful, Twisty Tale

The best way to watch Alex van Warmerdam's latest Nr. 10 is to go in blind. He practically titled it "number 10" to help with that fact—it being his tenth dire...

New Trailer for Damien Chazelle’s Babylon Pulls the Curtain Back on 1920s Hollywood

While we're still a few weeks away from the film's official release, Damien Chazelle's three-plus-hour Babylon has now been unleashed for select press and indu...

Baz Luhrmann Unveils Plans for Elvis Film Featuring Austin Butler’s Full Concert Performance

While Baz Luhrmann's Elvis proved to be one of the more energetic studio offerings of the year, some of the complaints lobbied against the biopic were its fren...

Watch Terrence Malick’s New Commerical for Louis Vuitton

As Terrence Malick toils away on the customary multi-year editing process for his latest work, the Biblical epic The Way of the Wind (which we wouldn't be surp...

Christopher Nolan’s Oppenheimer Will Take Place Over 45 Years

Although Christopher Nolan has moved from Warner Bros. to Universal, we wouldn't be surprised if his new home follows some of the same marketing tactics that h...

NYC Weekend Watch: A.I., The New World, The Last Waltz & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy Cinema Two of Steven Spielberg's best films, A.I. and Catch Me If You Can, play on ...

Doclisboa Review: Werner Herzog’s The Fire Within Offers Another Take on the Kraffts

Infamous had Capote, Antz had A Bug’s Life—the list goes on. Enter The Fire Within, Werner Herzog’s latest brush with nature’s extremities, and the second docu...

Thessaloniki Review: I Have Electric Dreams is a Visceral, Volcanic Two-Hander

Nothing catches fire in Valentina Maurel’s I Have Electric Dreams, but the atmosphere is so inflammable, the air so taut, everything could ignite at any moment...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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