The Film Stage - Page 255

Tilda Swinton and Joanna Hogg on The Eternal Daughter and Filmmaking Purely Driven by Instincts

With The Eternal Daughter, Joanna Hogg continues her method of cultivating an environment that allows dialogue to be discovered on set. A ghost story in a clas...

Framing Agnes Review: A Riveting, Hybrid Study of Trans History

In order to best explain the field of ethnomethodology, which studies how social order comes to happen through the actions of individuals, sociologist Harold G...

Doclisboa Review: With I Saw, an Exiled Russian Filmmaker Crafts a Love Letter to Those Left Behind

In the mid-length documentary I Saw, exiled Russian filmmaker Vadim Kostrov revisits an innocent day. It's autumn 2021 in Nizhny Tagil and two young men, Matve...

Pulitzer-Winning The Flick Writer Annie Baker Has Directed Her Feature Debut Janet Planet

By any metric is Annie Baker one of American's great living dramatists—it's just a bit harder to notice when her chosen field is theater. But grab any of Baker...

12 Films to See in December

As we enter the final month of the year, much of our focus will be on wrapping up 2022 in cinema with a number of features. In terms of new releases, there are...

Watch a Behind-the-Scenes Documentary on the Making of Jeanne Dielman

The push and pull of a Sight and Sound crown: if a film's greatness becomes received wisdom in ways previously never possible—where even an Alfred Hitchcock mo...

Explore the Making of David Fincher’s The Killer in First Behind-the-Scenes Look

Following his black-and-white passion project Mank, David Fincher returns to the world of vibrant, slick thrillers with The Killer. An adaptation of Alexis Nol...

Martin Scorsese and Bong Joon Ho’s 2022 Lists of the Greatest Films of All-Time

It's the list that keeps on giving. Yesterday, Sight and Sound announced their once-in-a-decade critic and filmmaker polls of the greatest films of all-time an...

All the Films Added (and Dropped) from Sight and Sound‘s 2022 Greatest Films of All-Time Poll

It's been less than 24 hours since the announcement of Sight and Sound's greatest films of all-time polls. While we have a decade more of discourse, the first ...

Posterized December 2022: Corsage, The Eternal Daughter, Broker & More

Sadly, I can't say Hollywood finished the year off strong when it comes to posters. Whereas some months have me trying to figure out ways to get more t...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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