The Film Stage - Page 224

Gregg Araki’s Cult Classic Returns in 4K Restoration Trailer for The Doom Generation

While Gregg Araki hasn't made a feature film in nearly a decade, since 2014's White Bird in a Blizzard, the director has kept busy on a number of high-profile ...

SXSW Review: National Anthem is a Personal Journey Into a Queer Rodeo Community

At the beginning of National Anthem, writer-director Luke Gilford’s exquisite-looking and subversive debut feature, 21-year-old Dylan (Charlie Plummer) lives a...

Champions Review: Bobby Farrelly Returns With Formulaically Dull Sports Movie

Bobby Farelly’s been out of the feature game for almost ten years. After a lucrative 20-year career writing, directing, and producing together, brothers Bobby ...

Exclusive U.S. Trailer for Axelle Ropert’s Petite Solange Portrays a Family Fracturing

One of our favorite films on the festival circuit the last few years finally has distribution. Axelle Ropert's tender coming-of-age tale Petite Solange, which ...

Ken Loach Mines Solidarity in Exclusive Trailer for The Spirit of ’45

Whatever comes with being perhaps the most-recognized British director of his time, Ken Loach still hasn't seen every one of his films reach American shores. T...

The B-Side – 2023 Oscars Special (with Joe Reid & Chris Feil of This Had Oscar Buzz)

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones t...

New to Streaming: Marlowe, Obsession, Triangle of Sadness, Jackass Forever & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

True/False Review: Ramona Incisively Contests Traditional Casting Practices

What is the criteria for playing a character based on a factual person? How much artistic license is granted toward playing such a character in a fiction piece...

NYC Weekend Watch: Dressed to Kill, La Notte, Safe & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaDressed to Kill and Chabrol's The Champagne Murders have 35mm showings; Mary Bro...

Change the Way You Hear Movies in First Trailer for Sam Green’s 32 Sounds

A filmmaker focused on the experience of watching (and, primarily, listening), Academy Award-nominated director Sam Green's projects are best experienced live,...

News

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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