A project Robert Eggers has been talking about since his debut feature The Witch, and on his mind well before that, I never thought his take on Nosferatu would...
In Palm Trees and Power Lines, director Jamie Dack carefully sets up the factors that lead teenager Lea (newcomer Lily McInerny) into a relationship with Tom (...
It's rare we cover music videos––mostly those with a major name behind the camera. But no smaller an auteur label could be applied to Sparks, as sui generis as...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumA Jeanne Moreau retrospective brings films by Antonioni, Malle, Becker and more; ...
Just to get it out of the way: the first Creed is the best Rocky film. They share the same formula, a foundation no doubt solidified by the ‘70s sports classic...
The singular styles of filmmakers in the Woche der Kritik (aka Berlin Critics' Week) often result in some of the year's most under-appreciated and formally exc...
Looks like summer is starting early again with franchises galore this March. Studios are trying to hit the ground running as Oscar season finally comes...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
In 2023, Wes Anderson and (probably) Hong Sangsoo aren't the only directors with a pair of films likely coming out in the same year. Yorgos Lanthimos, who hasn...
For anyone keeping tabs on Bas Devos' career, it's notable that the drama of his latest film Here is set in motion by something as benign as a pot of soup. A c...