Dr. Leigh Waters (Angell Conwell) has a line of dialogue towards the end of Caretakers that I was desperate to hear since the beginning. She reminds the med stu...
As China is set to take over North America to become the single largest film market within the next years, more attention will/should be paid to its formidable ...
The Marvel title sequence—red comic book pages flipping at high speed to reveal a corporate logo whose cultural saturation is on par with the Golden Arches—come...
There's a line that our actions can cross when our desire to help others turns into helping ourselves. And it's often difficult to see when you're the one falli...
It might be hyperbolic to call Smallfoot the most dangerous film of the year, but it wouldn't necessarily be wrong. Yes, there's a wholesome message at the back...
All kids grow up. Some parents grow apart. And the ramifications of this combination can have drastic effects. Jealousies might crop up to cause rifts while nos...
Writer Shane Black had a good year in 1987. He burst onto the action screenwriting scene with Lethal Weapon, co-wrote the cult classic children versus Universal...
Following their impressively varied Main Slate section and Projections lineup, the full slate for Retrospective and Revivals at the 56th New York Film Festi...