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[Cannes Review] The Salesman

Excessively schematic plotting is a recurring weakness of writer-director Asghar Farhadi’s work. Films like About Elly and The Past suffered from contrived narr...

[Cannes Review] Personal Shopper

After Clouds of Sils Maria, Personal Shopper confirms Olivier Assayas as the director most adept at drawing the best out of Kristen Stewart. Here she follows in...

[Cannes Review] Sweet Dreams

Italians certainly do worship their Mammas, or so goes the narrative of Marco Bellocchio’s Sweet Dreams, which opened the Cannes Director’s Fortnight sidebar to...

[Review] Kill Zone 2

Containing a number in its title, yet blissfully not chained to franchise requirements -- a decade-long gap between installments perhaps being the first clue as...