While our massive, 60-film fall movie preview gives a hint at what to expect this season, it's time to dive deeper into September. With films from Ethan Coen, ...
To characters in Babak Jalali’s Fremont, memories both serve an artistic purpose and function as nuisance to be dealt with. Unresolved experiences while servin...
Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the th...
Playing at Cannes to nice notices and perhaps little else––no awards, alas!––Catherine Breillat's Last Summer nevertheless yields interest above much competiti...
Fallen Leaves, Aki Kaurismäki's first film since 2017’s The Other Side of Hope, took home the Jury Prize from this year's Cannes while charming critics more th...
Bearing talent equal to the totemic filmmakers of his time hasn't, all these decades hence, helped Ousmane Sembène achieve their cultural, academic, cinephilic...
Word on Wim Wenders' Perfect Days is strong––stronger than any fiction feature he's made since, God, who can even count. But though its Cannes premiere nabbed ...
With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which ...
For whatever reason there's been surprisingly little hype about an Errol Morris documentary on John le Carré––a crowded fall season? that Steve Bannon thing le...
Despite its awards acclaim, the critical response to Emerald Fennell’s Promising Young Woman was a bit all-over-the-place. The Oscar winner is now ba...