The Film Stage - Page 15

NYFF Review: The Ballad of Suzanne Césaire is a Bold Rethinking of Black Surrealism

The Ballad of Suzanne Césaire, the feature debut from artist and filmmaker Madeleine Hunt-Ehrlich, aims to foreground its primary literary material and histori...

Amnesiascope and Rohmer Fits Present A Tale of Autumn on October 13 and 22

Rohmer Summer has fed into Rohmer Fall: following sold-out screenings of The Green Ray and a shorts program, my screening series Amnesiascope has partnered aga...

First Teaser for Sylvain Chomet’s First Film in 15 Years, The Magnificent Life of Marcel Pagnol

While his work was recently seen worldwide (or least screened worldwide, even if the theaters were empty) with crafting the opening animated sequence of Joker:...

Christmas Eve in Miller’s Point Trailer: Michael Cera, Elsie Fisher, Francesca Scorsese & More Ring in the Holiday

The best holiday movie of the season, Ham on Rye director Tyler Taormina expanded his star power with Christmas Eve in Miller's Point, which brings together Mi...

Exclusive Trailer for Agent of Happiness Searches for Satisfaction Across Bhutan

A premiere in the World Cinema Documentary section at Sundance earlier this year, Arun Bhattarai and Dorottya Zurbó's Agent of Happiness is quite an intriguing...

First Trailer for Don Hertzfeldt’s ME, Arriving Digitally This Week

Following up his sci-fi trilogy World of Tomorrow, animation extraordinaire Don Hertzfeldt unveiled his latest project earlier this year. Beginning a few month...

Injustice Comes Home In U.S. Trailer for Mohammad Rasoulof’s The Seed of the Sacred Fig

Few titles at Cannes carried greater weight than The Seed of the Sacred Fig, Mohammad Rasoulof’s first project to debut since an exile from his native Iran––li...

NYFF Review: Việt and Nam is a Swooning, Stirring Slow Cinema Romance

“Leave the light on. It’s easier for me to dream.” The opening shot of Việt and Nam, writer-director Trương Minh Quý’s sophomore film, is a feat of cinemati...

Jia Zhang-ke Reveals He’s Working on an AI Short Film

After screening his latest film Caught by the Tides at the Busan International Film Festival, director Jia Zhang-ke met with the press, accompanied by his wife...

NYFF Review: Nickel Boys Finds Miraculous Beauty in the Horrors of the World

Nickel Boys, RaMell Ross' narrative feature debut, is the story of a stubborn world, resisting change. Adapted from Colson Whitehead's The Nickel Boys, it's an...

News

Trailer for Palestine’s Oscar Entry From Ground Zero + Exclusive Poster Giveaway

MUBI’s December 2024 Lineup Includes Dahomey, Bird, The People’s Joker & More

No Other Land Announced as Winner of the 2024 Indie Film Site Network Advocate Award

Trailers

Jacques Demy’s Masterpiece The Umbrellas of Cherbourg Gets New Trailer for 4K Restoration

DIG! XX Trailer: Ondi Timoner’s Cult Classic Rock Doc Gets Expanded Edition This January

Exclusive Trailer for Ben Petrie’s The Heirloom Introduces Acclaimed Rom-Com Psychodrama

Reviews

The Black Sea Review: A Dynamic Lead Performance Drives Familiar Fish-Out-of-Water Story

Thessaloniki Review: When the Light Breaks Showcases a Dawn-to-Dusk Tragedy with Raw Depth

Wicked: Part I Review: Wizard of Oz Prequel Is Stale as Blockbusters Can Be

Features

New to Streaming: Blitz, The Piano Lesson, Flipside, We Live in Time, Alien: Romulus & More

NYC Weekend Watch: Dirty Work, Shelley Duvall, Robert Frank & More

The Best Movies Now Playing in Theaters

Interviews

Rodrigo Prieto on His Directorial Debut, Martin Scorsese’s Snubs, and Taylor Swift’s Feature Debut

Flow Director Gints Zilbalodis on Animating Animals, Allegories, and Cinema vs. Videogames

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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