Right from its opening moments, Austrian director Elisabeth Scharang’s Woodland is visually arresting, commanding one's attention. Which is fortunate as the fi...
Joseph L. Mankiewicz’s All About Eve has ably demonstrated that a catty feud between theater critics and actresses is crackling subject matter for witty, adult...
For much of Karim Amer's reliably efficient documentary Defiant we follow Dmytro Kuleba, Minister of Foreign Affairs in Ukraine. Following Russia's invasion in...
The first of Menus-Plaisirs Les Troisgros' four hours moves as quick as a glacier. Herbs are inspected at a farmer's market. Two chefs weigh up the benefits of...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageReverse Shot celebrates its 20th anniversary with a months-long p...
Early last year we learned Bruno Dumont would next direct the science fiction feature The Empire, then said to mingle "the common life of the inhabitants of a ...
William Friedkin's passing was coupled with anticipation for The Caine Mutiny Court-Martial, a Venice-premiering and Showtime-bound adaptation of Herman Wouk's...
The list of directors who put their trust in Robby Müller could constitute a nice history of post-war cinema. (Some highlights: Wim Wenders, Peter Bogdanovich,...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...