I remember hearing Judd Apatow say he cast his daughter, Maude Apatow, in The King of Staten Island because it gave him partial excuse to spend time with her i...
Excited for his parents' promise to take him to Fleetwood Mac in San Diego, Benny (Keir Tallman) can't help feeling betrayed when his father announces he'll be...
Depending on who you ask, the term “literary cinema” can have good or bad connotations. At worst it implies an over-reliance on handheld camera work, dull natu...
It was just a few months ago that John Carpenter proudly proclaimed a return to the director's chair. In his case a couch: a new series entitled John Carpenter...
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails, h...
Unless Taylor Swift's concert film truly surprises, we imagine the trippiest film to arrive this year will be landing on the same release date of October 13. E...
Few titles from this year's Cannes were a bigger surprise than The Delinquents, a three-hour-plus Argentinian crime comedy with existentialist leanings. Word f...
The ever-evolving nature of fame and infamy gets examined in Dream Scenario, Kristoffer Borgli’s follow-up to his dark comedy Sick of Myself. It’s the Norwegia...
Following his western sci-fi feature Asteroid City, we're getting a whole lot more Wes Anderson this year, specifically later this month on Netflix. His latest...
If, like me, you have a morbid fascination with the strangest conspiracies of the far right, chances are you’ve encountered protests around the concept of the ...