Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...
One of the most beautiful, tender, and mysterious films of the year, Andrew Haigh's All of Us Strangers follows Andrew Scott as his character strikes up a rela...
Cinematographer Ed Lachman doesn’t often work with new directors, but for someone he considers “the most important filmmaker in South America,” he’ll make an e...
No institution can dodge Louis C.K.'s comedic legacy and sexual allegations, TIFF included, where he appeared immediately pre-#MeToo with his film I Love You, ...
Special is the opportunity to speak with one of our great living filmmakers; doubly rare is a chance to do so as their latest project premieres on YouTube. Par...
In a rare feat, Kristoffer Borgli premiered his second U.S. release of the year after the jet-black Norwegian comedy Sick of Myself. Teaming him with Nico...
Legend has it Renate Reinsve's still running with a joyful expression, but Joachim Trier is soon bringing her back into the fold: with regular co-writer Eskil ...
And with that, Criterion's year closes out. They've ended 2023 with a small set of additions, on the 4K front rescuing Guillermo del Toro and Mark Gustafson's ...
“We are here to become human again.” This is the mantra of the Rehabilitation Through the Arts program, founded in Sing Sing Correctional Facility, a prison ju...
The idyllic dream of leftist commune living, where resources and skills are shared for the greater good, needs a key ingredient to work: people. Two decades af...