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[Tribeca Review] The Happy Film

So it turns out the key to happiness is Zoloft and a gorgeous women 20 years your senior. At least that's the message in Stefan Sagmeister and Ben Nabors' The H...

[Tribeca Review] Detour

A gleeful throwback to a genre that unfortunately jumped the shark years ago, Detour harkens back to the '90s noir that ultimately met its death with one too ma...

[Tribeca Review] Betting on Zero

A documentary reminiscent of The Big Short on a smaller and less-successful scale, director Ted Braun’s Betting on Zero has a narrow focus and an unlikely hero:...

[Tribeca Review] Holidays

Horror anthologies are here to stay, with the V/H/S and ABCs of Death series, and Michael Dougherty's more cohesive Trick 'r Treat offering fans fun-size bits o...

[Tribeca Review] First Monday In May

Following in the vein of last year’s excellent Ballet 422, First Monday In May offers another process-heavy view into the preparation of a prestigious event. T...

[Review] Barbershop: The Next Cut

There are worse reasons to make a movie than advocacy, but Malcom B. Lee’s Barbershop: The Next Cut feels so distractingly reverse-engineered from its talking ...

[Tribeca Review] All This Panic

Shot over a three-year period in Brooklyn, All This Panic offers a frequently disjointed look at the interior lives of several ordinary, middle-class Brooklynit...

[Tribeca Review] Contemporary Color

For its combination of rocking performances from famous musicians (the line-up included St. Vincent, tUnE-yArDs, Nelly Furtado, and Byrne himself), the dazzling...