Our year-end coverage continues with a look at the best performances of 2024. Rather than divide categories into supporting or lead or by gender, we've written...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
We're now finally just about a week away from the U.S. release of Brady Corbet's The Brutalist, which will roll out in NY and LA in 70mm engagements starting n...
"A cinematographer is a visual psychiatrist–moving an audience through a movie making them think the way you want them to think, painting pictures in the dark...
We've reached another year's end, so get ready for all the limited releases and qualifying runs primed for Oscar consideration as guild votes start pro...
One of our favorite traditions in best-of-the-year festivities is a lineup that tends to find a more interesting path than any guilds or critics groups. The wo...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
A little more attention's been given to individual songs from Queer than its star duo's score. Sinead O'Connor's Nirvana cover that opens the film; the actual ...
In a week full of a few embarrassing selections included in the likes of National Board of Review and AFI's picks for the top films of 2024, leave it to BFI's ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageSee It Big! Let It Snow brings 35mm prints of Kurosawa's Dersu Uz...