The Film Stage - Page 1149

Review: ‘Tanna’ Tells a Familiar Tale in a Wondrous Landscape

There have been countless renditions of Romeo and Juliet during the past five hundred or so years and yet its themes still haven't grown stale. Bentley Dean and...

Romance is Complicated in U.S. Trailer for François Ozon’s ‘Frantz’

Continuing his prolific streak, the U.S. trailer has landed for Frantz, the latest drama from François Ozon. Shot in striking black and white, the film -- w...

Charlie Hunnam Fulfills His Prophecy in New Trailer for ‘King Arthur: Legend of the Sword’

Despite facing delay-after-delay (a normally telling sign the studio doesn't quite know what to do with a project), there's a few factors that still have us...

The Best Films at the 2017 Berlin International Film Festival

We highlight our favorite films from this year's Berlinale....

Chloë Grace Moretz Can’t Trust Her Mind in First Trailer for ‘Brain on Fire’

Clouds of Sils Maria star Chloë Grace Moretz premiered her latest project, Brain on Fire, at Toronto International Film Festival last year and ahead of a Ne...

Sally Hawkins Creates Art in First Trailer for ‘Maudie’

Sally Hawkins, who has delivered no shortage of remarkable performances in Happy-Go-Lucky, Blue Jasmine, and more, is back this year with a new biopic. Aisl...

The Film Stage Show Ep. 228 – A Cure for Wellness

We discuss Gore Verbinski's creepy thriller on the latest show....

Berlin Review: ‘Colo’ Will Leave One Provoked and Blissfully Mystified

Full disclosure: this reviewer was not the biggest fan of Miguel Gomes’ Arabian Nights trilogy. Hailed as masterpiece(s) by most, the 6.5-hour docu-fable could ...

Berlin Review: ‘Somniloquies’ Explores the Abstract Beasts of Dreams

Dreams are abstract beasts at the best of times and we’re offered a meditative window (if little else) into them in Somniloquies, a new abstract documentary fro...

Berlin Review: ‘Ana, mon amour’ is a Gripping and Ferociously Bitter Account of Falling Out of Love

We only hurt the ones we love, or at least it seems that seems to be the norm in Cãlin Peter Netzer’s latest film, a cerebral examination of love in decay that ...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Remake Trailer: Ross McElwee Crafts the Most Heartbreaking Documentary of 2026

The Samurai and the Prisoner Trailer: Kiyoshi Kurosawa’s Mystery Epic Arrives This July

Willem Dafoe and Greta Lee Tussle Over Legacy In Trailer for Kent Jones’ Late Fame

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

The Best Films of 2026 (So Far)

NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More

Interviews

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

“It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

Read More