The Film Stage - Page 1114

Pixar Ventures to the Land of the Dead in New Trailer for ‘Coco’

Pixar is once again releasing two features this year and following next week's Cars 3, this November will mark the return of Toy Story 3 direct Lee Unkrich ...

Review: ‘The Mummy’ Tosses Tom Cruise About, Earns Both Laughs and Scares

For about five minutes at the top of The Mummy, Tom Cruise gets to be Indiana Jones. Well, kind of. He's Nick Morton, a soldier of fortune less interested in ar...

Holly Hunter and Carrie Coon Lead First Trailer for ‘Strange Weather’

After making a brief impression in Terrence Malick's Song to Song and following a part in this summer's The Big Sick, Holly Hunter will take the lead in Str...

The Film Stage Show Ep. 245 – Wonder Woman

Is the newest film in the DCEU a thing of wonder, or is Patty Jenkins's new film another DC flop?...

Review: ‘It Comes at Night’ is an Atmospheric, Half-Formed Post-Apocalyptic Chamber Drama

The threat of the unknown lurks behind every door, every parcel of darkness, and every character motivation in It Comes at Night. ...

Tom Cruise Runs Drugs in First Trailer for Doug Liman’s ‘American Made’

Stuntman and sometimes actor Tom Cruise does battle with The Mummy this weekend, and as is his style, he shows no signs of slowing down. He’s already filmin...

Noomi Rapace Plays ‘Seven Sisters’ in First Trailer for Septuplet Thriller

Taking a page from Tatiana Maslany and Cate Blanchett, the latest role for The Girl with the Dragon Tattoo and Prometheus star Noomi Rapace finds her playin...

The Film Stage Show Ep. 244 – Paterson (Really This Time)

We actually get around to talking Jim Jarmusch's Paterson on the latest episode....

NYC Weekend Watch: ‘Beau Travail,’ Lubitsch, Varda, Spielberg Summer & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Posterized June 2017: ‘Wonder Woman,’ ‘The Beguiled,’ ‘It Comes at Night,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Exclusive Trailer for 4K Restoration of Jae-young Kwak’s My Sassy Girl Reintroduces the South Korean Hit

James Baldwin Arrives In Paris In Trailer for Yashaddai Owens’ Jimmy, Opening This July

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

The Best Films of 2026 (So Far)

NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More

Interviews

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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