One of the most acclaimed films of the year, Payal Kapadia's dazzling Cannes Film Festival Grand Prize winner All We Imagine as Light is now finally rolling ou...
Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project...
For a certain kind of cinephile (e.g. me) more than a decade's been spent wondering about Julia Loktev. The brilliant director behind Day Night Day Night and T...
The Ballad of Suzanne Césaire, the feature debut from artist and filmmaker Madeleine Hunt-Ehrlich, aims to foreground its primary literary material and histori...
Rohmer Summer has fed into Rohmer Fall: following sold-out screenings of The Green Ray and a shorts program, my screening series Amnesiascope has partnered aga...
While his work was recently seen worldwide (or least screened worldwide, even if the theaters were empty) with crafting the opening animated sequence of Joker:...
The best holiday movie of the season, Ham on Rye director Tyler Taormina expanded his star power with Christmas Eve in Miller's Point, which brings together Mi...
A premiere in the World Cinema Documentary section at Sundance earlier this year, Arun Bhattarai and Dorottya Zurbó's Agent of Happiness is quite an intriguing...
Following up his sci-fi trilogy World of Tomorrow, animation extraordinaire Don Hertzfeldt unveiled his latest project earlier this year. Beginning a few month...
Few titles at Cannes carried greater weight than The Seed of the Sacred Fig, Mohammad Rasoulof’s first project to debut since an exile from his native Iran––li...