As the rallying cries for reform when it comes to policing in this country get louder by the day, one filmmaker is diving into the middle of the issue. Pete...
Director Michael Almereyda’s follow-up to his acclaimed 2015 film Experimenter is twofold: his documentary on Hampton Fancher, Escapes, opens today at the I...
There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the convent...
Considering their lack of transparency when it comes to viewership for specific movies and shows, it's no surprise that Netflix's release calendar is not ak...
Released just 15 years apart, Lawrence of Arabia and Close Encounters of the Third Kind don't have a great deal in common, thematically-speaking, but as far...
Already having quite a summer with his writing duties on Beatriz at Dinner (not to mention a script credit on The Emoji Movie), Mike White is back with his ...
An ex-junkie, ex-convict, and luchador enter a fish taco shack … the punch line is a three-pronged adventure through Compton while engulfed by the shadow of a l...
Don't mess with a Nepali "cantara" on New Year's—especially if you're a virgin. Had young Nico (Javier Bódalo) only been warned, he might have avoided the worst...
Steven Soderbergh is back, baby -- assuming you put less-than-a-film's worth of stock into two ten-hour seasons of television, a premium-cable something-or-othe...