The Film Stage - Page 1004

Tribeca Review: ‘Diane’ is a Raw, Restrained, Mature Character Study

The narrative directorial debut of film scholar, curator, and documentary filmmaker Kent Jones elicits an awful lot of anticipation. Often, first features conta...

Tribeca Review: ‘Say Her Name’ is an Ambitious Look at Sandra Bland’s Legacy

Arrested and charged with a felony assault simply for bruising the fragile ego of Waller County, Texas officer Brian Encinia, Sandra Bland would later end up de...

Our 20 Most-Anticipated Films of the 2018 Cannes Film Festival

With Cannes kicking off shortly, we count down the films we can't wait to see....

Art of the Real Review: The Personal and Political Gracefully Coexist in ‘The Image You Missed’

A few minutes into Donal Foreman’s The Image You Missed, a voice-over comes to an abrupt stop: “each film is a mission impossible, but this one here, it was the...

NYC Weekend Watch: ‘A New Leaf,’ Paul Schrader, Andy Warhol & More

All the best films screening in NYC this weekend....

Alden Ehrenreich Endures the Aftermath of War in First Trailer for ‘The Yellow Birds’

Alexandre Moors' Blue Caprice was a harrowing, stunningly-shot depiction of the D.C. sniper attacks. The director made his return at last year's Sundance wi...

Review: ‘Tully’ is a Raw, Funny, and Resonant Reunion for Jason Reitman, Diablo Cody, and Charlize Theron

After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn't know what to expect with director Jason Reitman and writer Diab...

New to Streaming: ‘Manhunt,’ ‘Before We Vanish,’ ‘Game Night,’ and More

All the newly streaming films of Netflix, Amazon, FilmStruck, and more....

Paul Rudd Goes from Baseball to Espionage in First Trailer for ‘The Catcher Was a Spy’

Before he gets small later this summer, Paul Rudd is doing some good ol' fashioned drama with The Catcher Was a Spy. Premiering at Sundance earlier this yea...

Posterized May 2018: ‘First Reformed,’ ‘The Day After,’ ‘Tully,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....

News

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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