Premiering earlier this year at Sundance Film Festival where it picked up the U.S. Dramatic Special Jury Award for its ensemble, Carmen Emmi's feature debut Pl...
Passages and Love Is Strange director Ira Sachs returned to the Sundance Film Festival earlier this year to debut Peter Hujar’s Day, a drama starring Ben Whish...
Made when he was 33, not to be followed by another feature for some 20 years, and effectively starting the career of cinema's oldest-ever filmmaker, Aniki-Bóbó...
One of the few filmmakers to earn a Palme d'Or twice over, Bille August started his career with a pair of period dramas that have been largely forgotten by con...
Seventeen years after her directorial debut Yeast, which gave Greta Gerwig one of her very first roles, Mary Bronstein finally returns with her second feature,...
Reteaming with Netflix after his ambitious misstep White Noise, Noah Baumbach is getting introspective. Jay Kelly stars George Clooney and Adam Sandler as a mo...
In the fifteen interminably long years since James L. Brooks' last directorial feature, the kind of adult-focused, warm dramas with recognizably emphatic chara...
Spike Lee’s first narrative feature in five years is Highest 2 Lowest, his reimagining of Akira Kurosawa’s High and Low that marks a reteam with Denzel Wa...
After the fascinating Space Dogs and Dreaming Dogs, directors Elsa Kremser and Levin Peter are shifting their perspective beyond the canine world with their fo...
In a momentous cinematic event, the Quay Brothers are returning with their first feature since 2005. Sanatorium Under the Sign of the Hourglass, a stop-motion ...
